Given that the creative collaboration is with the director of the movie, does he get casting vote?
If we disagree on something? I think that I would always ultimately defer to him, of course, because it’s always the director’s movie. But that said, I don’t think it’s ever come to that. Maybe at edit stage, but that’s correct. But one of the things I really enjoy about our collaboration is that when we do disagree on things, it always ends up with one person winning the other round to their way of thinking. You do it the old fashioned way with mature arguments rather than fighting? Yeah! [Laughs] The work that you’ve done with Matthew, you’ve also got The Debt coming up, it’s all adapted works. Yes, they are, and the next one I’ve done is too. Woman In Black? Yeah, Woman In Black. They’re all adapted works. Is there a particular reason you adapt? I really enjoy the challenge of adapting. But there’s no mysterious reason for it, it’s more that these great projects keep coming up that inspire me, or inspire me and Matthew. And I think the nicest thing to be able to do is follow your he
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