How do you feel about the critics who say reggaeton is bubble-gum music?
What a lot of those critics don’t know is that reggaeton’s been around for years. It’s just getting recognized now. Back in the day I worked with Daddy Yankee, Mexicano, Nicky Jam, and Maestro Guatauva. I produced for them. It’s been around for ten years, but they’re just getting a hold of it now. They could say whatever they want. They’re going to say something about it anyway. It’s a movement that corporate America is just catching on to. You have to give it its respect. I guarantee you artists will come out doing reggaeton records because they want to sell in that market. Will you be doing more reggaeton? That’s not really my style. I’ll leave that to the Looney Toons and Echo in Puerto Rico. I’ve dabbled in it, but it’s not my forte. I’ve got a team, 210 Inc, which is my man Ricky Peso and Beatqueen. That’s my reggaeton team. I have that if I need it, but I’m hip-hop, dog. What’s next for Domingo? Definitely look for the G. Rap stuff and the Ras Kass stuff. I’m looking to blow up a
