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Is working on the sonatas, as well as the symphonies, useful to better appreciating the language of Beethoven?

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Is working on the sonatas, as well as the symphonies, useful to better appreciating the language of Beethoven?

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«Yes, because it is precisely about the language, the syntax, the meaning and the significance that we are talking. On the basis of this assumption, Beethoven had developed composition techniques that were elevated to an extreme level of sophistication. If it had been possible, I would have added other genres to this project, such as the string quartets transcribed for four handed piano. Furthermore, the symphonies have a public character and were created for great concert rooms while the sonatas were created for the intimacy of private rooms. It is in this area of passage between two different means of expression and two different types of audience that Beethoven stands. In order to better understand him, when we bring together all the sonatas and symphonies in a single box product, we will place the works in chronological order. In this way, it will be possible to observe, for example, how the First symphony, considered by the academics as a youthful work of Beethoven, was created af

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