Over in Munich you got on a Wacom Cintiq. What was that like?
JB: It was a collaboration between re:Store, my brand Burger, Wacom and Hewlett-Packard. We put this event together where I was doing live drawings but in a digital way, which I’ve never done before. Wacom lent me one of their super-fancy screens that you can draw on, and then I went over there and just sort of doodled for the day. It descended into doing portraits of people. I had to apologise a lot because I’m not really a portrait painter or anything. Everyone had a twisted, mangled, doodled form. But everyone seemed very pleased with the drawings. CA: Are you a convert to the Cintiq tablet? JB: I’m being converted. I have my little process of working, which I’ve probably kept to for the last 10 years, so I’ve never really looked for a different way of doing stuff. It makes a lot more sense to have the drawing on the screen – something clicked. I said to them, ‘I don’t think I would try and recreate what I do with a pen and piece of paper using the screen, but what I would do is kin
