What are you first and foremost, Scratch DJ or Producer of dope beats?
I guess firstly I would be considered a scratch dj. I got into production at a later date but now I probably spend the same amount of time making music as I do practising scratching. I know that you spent some time in the United States – can you tell us a little more about that experience and how it affected you? The first time I went out was in 1999 to San Diego. Within 1 day I had hooked up with a crew out there called the Creatures and moved from my motel into one of their houses. It was surreal to say the least, the whole crew was kind of living there, everyone had their own room with set ups to make beats. Everyday something was being recorded. That’s also where I met ‘Tenshun’ probably my favourite scratch dj I heard to date. We would practice a lot together, it opened up my mind considerably, he was like a Jazz scratch Musician. I went out to San Francisco a year later and again stayed with Destin; he had moved up by then and was working at Amoebas record shop. I loved every min
