Who is the director of the film hustle and flow ?
Hustle & Flow is a 2005 independent film written and directed by Craig Brewer about a Memphis hustler called DJay, played by Terrence Howard.The film was nominated for two Academy Awards for Best Actor for Howard and won an Academy Award for Best Original Song, for Three 6 Mafia’s “It’s Hard out Here for a Pimp”.
Father, Walter D. Brewer worked in a number of high-level corporate positions for Matson Navigation Company, culminating in the position of director of corporate development from 1990-1998, when he died. His work caused the family to move from Vallejo, California (where Craig attended elementary school and junior high) to Orange County, returning to Vallejo in the early 1990s. Walter frequently rented out local theaters to present young Craig’s plays and often financed Craig’s productions. Craig’s mother, Gail, was a school board member for Vallejo’s district both times the family lived there and taught English and Drama in nearby Mt. Diablo School District. She allowed her son, fresh out of high school, to teach her drama courses at College Park High School in Pleasant Hill, CA and produce/direct the school’s plays, with the school occasionally serving as a showcase for his original works. Craig’s father also helped finance school productions, and helped to rent out local theaters for
Hustle & Flow is a 2005 independent film written and directed by Craig Brewer about a Memphis hustler called DJay, played by Terrence Howard, who experiences a midlife crisis and is compelled to face his aspiration to become a rapper. DJay, a petty drug dealer and equally petty pimp, and his original and primary charge, prostitute Nola, troll the streets and under bridges and overpasses of Memphis, looking for clients. From the start, it is clear that Nola is more DJay’s business partner and fellow hustler (DJay refers to her as his “primary investor”), rather than his subordinate, and that neither of them is satisfied with their lives or with the ins and outs of prostitution; however, each is also in a crisis about exactly what to do instead. While DJay quickly turns to music once he re-discovers the keyboard, Nola remains indecisive and crisis-ridden throughout much of the movie. Despite this, however, the two always remain close, and “in charge” of everything around them, and Nola e
