You studied under Lyndon Dadswell at the National Art School, East Sydney, for two years didn’t you?
PS: For one year, altogether I was only at East Sydney for two years, 64 and 65. I did the foundation course year 1 and I didn’t want to do a second year of foundation, it was a five-year course then, I just wanted to go straight into sculpture. I asked Dadswell if that would be all right, and he said yes but that I would forfeit my diploma. I told him that didn’t worry me because I wasn’t intending to be a teacher. A lot of students intended to become teachers? Most of the students there intended to become teachers but I wasn’t thinking about that, I just wanted to get involved in doing sculpture. I continued to go to other classes as well, but I specialised in sculpture in my second year with Dadswell as the main teacher. What were his classes like, was he more theoretical or more hands on? His classes were mostly around modelling the life figure but he encouraged you to move into various other ways of seeing the figure. We had Godfrey Miller for instance as a drawing teacher, and th
