How was Planche viewed by people in other countries?
Other that through a telescope? His plays were received well in the United States, although he remarks in his memoirs that Charles Dance was credited with most of the work of their collaborative pieces. Furthermore, he was sometimes not known even as the author of those plays he wrote without any input from Dance. (He claims never to have pursued this issue since the lack of any copyright in the US kept him from gaining monetary compensation–in other words, trying to pursue accurate recognition for his work would have cost a lot of money, and he would have gotten none back, so he let the matter alone.) In the other English-speaking countries, his work was also well-received, generally. In some, his reputation was a little clearer, although the strange lack of regard for him as a writer, while people enjoyed what he had written, also occurred elsewhere than the US. An edition of his daughter’s “Sunbeam Stories” cites him as “I.R. Planche,” primarily a writer of melodramas, and this see
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