To decide on suitable tunings for Bachs repertoire, individually or as a whole, why can we simply survey the key signatures to see what notes are needed most often?
Tonal music doesn’t behave that superficially in practice, as notes are brought in from outside the key signatures. A temperament must be able to handle everything that comes up during the course of a composition, not only the basic scale. The notes should not sound randomly or suddenly out of place within their musical contexts.
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